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When Hannah Arendt came to Jerusalem in 1961 to attend the Eichmann trial she expected to find Evil incarnated in the person of Eichmann. How surprised she was to see the man in the glass booth. The word she used repeatedly to describe him was “mediocre,” referring to the very average qualities of his person. To Arendt the dissonance between Eichmann’s horrifying actions and the bureaucratic character of the man demanded an explanation. Like so many of us, Arendt’s conception of evil had been informed by great works of art, but the reality of this villain did not fit her expectations.